Elektralite CP100 Manual Part One User Manual

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GENERAL PLEAS FROM THE TECHNICAL DEPT.
Please read this manual before you start calling, paging, emailing, & messenger pidgeoning,
your friends, family, analysts, and manufacturers about how this board works!!!
INTRODUCTION
OK. It’s probably about 4 am right now but it may as well be 4 in the afternoon. You couldn’t care
less because you’re probably stuck in some huge black box somewhere in the middle of nowhere
programming a jillion fixtures for some band that you wouldn’t listen to if you had a howitzer to your
head. It’s cold, it’s dark, you’ve been breathing diffusion fluid since last Thursday and you’re missing
out on being first (or last for that matter) on the catering line because you’ve got to learn how to use
this little box that you’ve never heard of before.
Well have another cigarette and simmer down because we’re gonna get you through this
quickly and efficiently. Let’s face it, if you can do that the LD’s gonna love you. And hey, that’s all
you really want right now anyway...right? I’m sure that you couldn’t care less that you’re all out of
clean underwear and some rigger has just used up the last of the detergent in the venue’s laundry area.
We’ll have you through this so fast that you’ll be the first on line to get some swag off that sales rep
from one of those scan companies.
If these first two paragraphs don’t sound like your situation at all then you’re probably sitting
in a nightclub trying to figure this thing out which doesn’t make the situation any less aggravating,
you’ve just got the luxury of listening to some music while you do this.
We have divided the manual up into sections. If you have to learn this in a nanosecond there is
the Quick, Quick Guide section. It is
basic
but it will get you through an emergency. If you have a few
milliseconds, at the back of the manual is a Quick Guide. This will get you through triage but don’t
consider yourself a surgeon after reading it, because in making it quick and simple to read certain
functions and concepts had to be left out.
Okay people if you’re ready to getting going, we’ll “hit the pages”!
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Summary of Contents

Page 1 - INTRODUCTION

GENERAL PLEAS FROM THE TECHNICAL DEPT. Please read this manual before you start calling, paging, emailing, & messenger pidgeoning, your frien

Page 2 - HARDWARE

10 using the external audio trigger port. • LOCK Allows you lock out the controller’s memory to prevent overzealous audience members from messing aro

Page 3

11 THE QUICK,QUICK INSTRUCTIONS.

Page 4

12 QUICK, QUICK INSTRUCTIONS For those impatient sods that don’t want to take the time to read this dissertation of a manual word for word, I will

Page 5

13 STORING A CUE 1) Move the lights into position & adjust their features to make a pretty look. You can also use your Presets and Feature P

Page 6 - DISPLAYS

14 7) Press the “Record” button to turn the LED off. 8) Use the “Chase Speed” & “X-fade Time” faders to set your Step Rate and Cross fade perc

Page 7

15 SETTING UP YOUR SHOW

Page 8 - THE MAIN MENU

16 SETTING UP FIXTURES FOR YOUR SHOW ADDING FIXTURES The first thing that you need to do is tell the controller what fixtures you intend on prog

Page 9

17 POO, PO1, TOO, TO1, P10, P11, T10, T11- These funny looking things are the Stage Focus values. Don’t worry about them now. Don’t mess around w

Page 10

18 you would be able to setup a fixture just like the guys at Group One do. To do this you’re going to need to have access to a PC computer and some

Page 11 - INSTRUCTIONS

19 GOOD HOUSEKEEPING Listen up people! None of us like authority or discipline but we can’t have anarchy reigning with this board. The point is y

Page 13 - STORING A CHASE

20 LIGHTS THAT DON’T WIGGLE ADDING CONVENTIONAL DIMMERS TO YOUR SHOW All right, now it’s time to add some conventionals to this thing. There are

Page 14

21 GROUPING YOUR DIMMERS You are also able to group your conventional dimmers as well. This becomes particularly useful when adding dimmers to subm

Page 15

22 ADDING AUTOMATED LIGHTS TO DIMMER SUBMASTERS It is also possible to add the dimmers of your automated lighting to Dimmer Submasters. Now that’s

Page 16

23 MORE ADVANCED STUFF

Page 17 - F1 Add another Name: _

24 PRESETS & THE HI-LITE FUNCTION STORING AND RECALLING PRESETS Before we jump into this one and show how to create and edit presets and fe

Page 18 - FIXTURES

25 preset. These features will be transparent to the preset you record. You can also use commands such as HILITE FIXTURES 1 THRU 12 ENTER. Hi-lite sa

Page 19 - GOOD HOUSEKEEPING

26 FEATURE PRESETS “I want fixtures 1 thru 6 and fixtures 15 thru 21 in red now!” Ever had an impatient LD call that one out?…….and then keep ques

Page 20 - LIGHTS THAT DON’T WIGGLE

27 get those lines for a feature, is to press clear rotary n enter. Remember you can use the all or thru or except commands to speed up the procedure

Page 21

28 you can just type in the number that you want and press ENTER. Obviously, you can give the Feature Preset a name in the “name” field by using the

Page 22 - FADER ASSIGNMENTS

29 ACTUAL PROGRAMMING

Page 23

3 WHAT ARE WE DEALIN’ WITH HERE? OK, let’s take a look at all the raw power that you’ve got at your disposal. • 2 DMX-512 OUTPUT PORTS: that’s 10

Page 24

30 Storing a Cue By now you should be proficient enough to start getting to the heart of programming this thing. That’s if you’ve read this manual

Page 25

31 i.e.: Cue 5.2 or Cue 500.992 The highest point cue that the board is capable of supporting is Cue 99999.999 (impressive, aint it?) 5) Pre

Page 26 - FEATURE PRESETS

32 ADDING YOUR DIMMERS TO THE CUE Once you’ve added Dimmers to Dimmer Submasters you can set the output of the Dimmers with those faders and then ad

Page 28 - Presets

34 Storing a Chase. Now that you’ve tackled the brute challenges of making cues, you’ll probably want to see them loop around a few times. Here’s

Page 29

35 i.e.: Yeah right, I’m not even gonna try and explain this one any more than that! Random- loops the chase in absolutely no order whatsoever. I

Page 31

37 Storing Macros. *NOTE: Before we jump into this go into the Miscellany menu (press: MENU-F4) and set the “Record Time:” to NO. This will disable

Page 32

38 2) Press MACRO-RECORD to place the Editor in record mode. The RECORD button LED will start flashing. Make sure that the SOLO button is lit as we

Page 33

39 DIRECT ACCESS

Page 34 - Storing a Chase

4 SETTING UP THE CONSOLE

Page 35

40 WANNA PROGRAM FASTER? HOW TO DIRECTLY ACCESS FEATURES OF YOUR LIGHTS The CP-100 supports some direct access functions for your moving lights

Page 36

41 HOTKEYS

Page 37 - Storing Macros

42 HOTKEYS It’s no secret that some of the commands on this console require more than just a few button presses. The answer to this is the HOTKEY.

Page 38

43 Let’s say that you want to create a Hotkey command that will allow you to add Cues to Submasters. Follow all the steps above as normal. When you

Page 39 - DIRECT ACCESS

44 COPY AND MOVE

Page 40 - WANNA PROGRAM FASTER?

45 COPYING AND MOVING THINGS the in-depth explanation Once you’ve created all these wonderful Cues, Chases, Macros, Submasters, Dimmer

Page 41

46 THRESHOLDS

Page 42

47 START AND END THRESHOLDS EXPLAINED WHAT ARE THEY AND HOW DO THEY WORK? When you’re in a Fixture or Group Features display you are able to a

Page 43

48 STAGE FOCUSING

Page 44 - COPY AND MOVE

49 STAGE FOCUS FOR THE TOURING TYPES WHAT IS IT? Stage Focus, sometimes referred to as a Global Focus, is the combination of Cartesian Coordinates

Page 45

5 All right, lets start with physically setting up the console. 1) Take CP-100 out of the box. 2) Attach any peripherals to the console. i.e.:

Page 46 - THRESHOLDS

50 4: Downstage Left = 11 Each of the Pan and Tilt Cartesian Coordinates in the display correlate to the respective rotaries. i.e.: P00 = rotar

Page 47

51 then all you have to do is add the Stage Focus to the Cue after you have stored it. 1) Press: ADD - STAGE FOCUS - ENTER 2) Press: STORE - CU

Page 48 - STAGE FOCUSING

52 WORK THAT DISK DRIVE BABY

Page 49 - HOW IT WORKS

53 Now let’s discuss our handy little disk drive on the back panel of the console. This will allow us to do several things. First we’ll be able to

Page 50

54 TO UPGRADE YOUR SOFTWARE Software upgrades are available off the Elektralite website at no charge for operating system version 1 (WWW.G1LTD.COM/E

Page 51

55 DMX-Input

Page 52 - DRIVE BABY

56 The CP-100 has a single DMX input port which maybe driven by the output of another DMX controller. There are three different ways that the DMX inp

Page 53 - TO SAVE YOUR SHOW

57 instantly the CP-100 snap-shots the DMX input. You can now store this information into any cue. Now it would be pretty labor intensive if you had

Page 54 - TO UPGRADE YOUR SOFTWARE

58 object. In effect, it is latched on. If you want to turn it off, then simply move that channel’s value above zero again. The important word here

Page 55 - DMX-Input

59 Summary of Triggers. In general, whenever a trigger (DMX-input or Midi Note On) is received, the CP-100 scans all its objects (cues, chases, macr

Page 56

6 DISPLAYS

Page 57

60 THE COMMAND SET

Page 58

61 Global Deletion All Delete deletes all objects in non-volatile memory. Clear All clears the cue editor, chase editor and macro ed

Page 59

62 Selecting Displays Add Dimmer selects ADD DIMMER display Add Fixture selects ADD FIXTURE display Chase selects CHASE EDITOR display

Page 60

63 Highlighting Fixtures Clear All Hilite un-highlights all fixtures Clear Hilite (from) All [Fixture] un-highlights all fixtures Clear

Page 61 - Grouping Fixtures

64 Clear All Dimmer clears all dimmers Clear All Feature clears all features of current fixture Clear All Feature Except n … clears a

Page 62 - Selecting Displays

65 Add Dimmer Group n … [To] Preset n adds filters for specific dimmer groups to specific preset Add Fixture n … [To] Preset adds specific fixtur

Page 63 - Editing in the Cue Editor

66 Add Stage Focus [To] [Fixture] Group selects fixtures in current group, turns on Stage Focus for them Add Stage Focus[To] [Fixture] Group n …

Page 64 - Using Presets

67 Delete Feature Preset n … deletes specific feature presets Move Feature Preset n … To n moves multiple feature presets to a contiguous ran

Page 65 - Stage Focus

68 Playing Chases All Chase Stop stops all chases in the system Chase n Go loads specific chase into chase editor and starts it Chase

Page 66 - Feature Presets

69 Loading the Macro Editor Clear Macro clears the macro editor Edit Macro reloads current macro into macro editor Edit Macro n

Page 67 - Loading the Chase Editor

7 WHAT ARE WE TALKIN’ ‘BOUT HERE? It’s no secret that every manufacturer has a different language. Some people call a “scene” a “cue”, othe

Page 68 - Storing the Chase Editor

70 Editing Fader Assignments Add Chase n … [To] Submaster p.f adds chases to submaster fader Add Cue n.n … [To] Submaster p.f adds cues to sub

Page 69

71 Controlling Submasters By Command All Submaster Stop stops all running submasters, with fade out Dimmer Submaster p.f … @ n sets dimme

Page 70 - Editing Fader Assignments

72 Stopping Playback and Record All Chase Stop stops all chases in the system All Macro Stop stops all macros in the system Chase n … S

Page 71

8 THE MAIN MENU The CP-100 MAIN MENU is the first display that you will see upon start up of the controller. Main Menu DisplayCP-100 MAIN MENU

Page 72 - Stopping Playback and Record

9 • MEMORY The MEMORY display also allows you to view the amount of total memory that has been used. Since there is no specific limit to the actual

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